德化瓷器尾货花盆拍卖信息
德化瓷器尾货花盆拍卖信息黄色象征皇家尊严,黄瓷也仅限于帝王使用。黄釉瓷二次烧成,即先高温烧成粗或素白瓷,再进行黄釉,然后在850-900℃的窑中烧制。明黄釉钟罩碗之所以叫“黄釉”,是因为黄釉瓷器往往是浇釉上釉。对于颜色细腻如鸡油的,人们也称之为“焦黄”或“鸡油黄”。纵观黄釉瓷器的历史,明代弘治朝的产品最为人称道,被视为黄釉瓷器的典范。其釉色光洁,釉色淡雅细腻。明焦黄锥拱兽面鼎“周丹泉制”高16.8厘米,直径13.3厘米。它是一个圆形的三脚架状炉体,口边有双竖耳, three feet with a bottom nozzle, and mud strips on the foot wall. The whole body is covered with charming yellow glaze, and the enamel is translucent, and the side view is slightly colorful. The front and back sides of the furnace body are painted with animal faces, decorated with money patterns and flowers, and engraved with the words “m德化瓷器尾货花盆拍卖信息ade by Zhou Danquan” at the bottom. Zhou Danquan, a famous porcelain maker in Ming Dynasty, was active in the late 16th century and early 17th century and was good at antique porcelain. His imitations of Wen Dingding furnace and animal face Ji Er Yi are particularly realistic. Often a product is made, and the four parties bid for it, so that they will not hesitate to compete for the market. It can also “burn pottery seals, stationery, ward off evil spirits, tortoise elephants and chain tiles, all with fire fan, and the color is as white as white, and its writing is ancient.” 明弘治黄釉金漆双耳罐,高31.6cm,直径18.8cm,底径17cm。坛子口直,肩光,底平,口与肩之间放置对称的弧形带状耳,口与底大小一致。缸内施白釉,外施黄釉。罐体顶部和底部有7根金色弦。每只耳朵上有两条蓝白相间的线,两只奶牛的小腹相对两侧涂有金色。普通轮胎没有上釉。这个罐子形成了一个丰满而对称的身体,具有舒缓的曲线。虽然巨大,却毫无笨拙感,在简约中透露出优雅之美。罐上施的黄釉,色泽淡雅,浑然一体,金线闪耀, 装饰效果高贵典雅。这种黄釉金漆壶,除了配有弯曲的带状耳外,还有兽耳和无耳,都属于宫廷祭祀器皿。明弘治黄釉金彩祭祀耳罐高32厘米,直径19厘米,足径17.5厘米。坛子口阔,颈短,肩光,底平,肩两侧有对称的牛头形耳朵。缸内施白釉,外施黄釉。外墙从上到下用9根金线装饰。普通轮胎没有上釉。没钱